Adobe after effects cc 2023 ไม ม h 264

Complex software applications like After Effects, Premiere Pro, and other video tools use hardware and system resources differently. These apps talk to the system components, such as the GPU, more often than other apps like a word processor or an email client. Most of this happens in the background without the user knowing.

Software development is an ongoing process. No software is bug-free when it's released to the public. Bug fixes drive software updates along with other enhancements. While installing software updates automatically is recommended for most casual users, we should always take time to read the release notes. Your Nvidia 526.98 driver update release notes PDF has 38 pages with dedicated sections for Fixed Issues, Open Issues, What's New, and more.

Driver updates are more frequent and affect apps differently. The Game Ready driver, for instance, is optimized for games. The Studio driver, in comparison, is optimized for production software. Nvidia created two different drivers for a reason.

Sometimes, an update causes a new issue that is not identified during testing. That's when companies like Nvidia, Adobe, Intel, Apple, etc., talk to each other and share these issues. Depending on the root cause, a fix comes from either company. Again, most of this happens behind the curtains, and users don't know about it. They shouldn't be! After all, we want our users to focus on creativity and leave the technicality to us.

I know it might seem to you that this issue is with After Effects 2023 because the timing of these updates closely aligns with each other. Unless you are 100% sure that you started experiencing the problem after using AE 2023 for the first time AND your Nvidia driver didn't update itself automatically in the background, then it could be an issue with After Effects that we need to investigate.

As a few users in this discussion confirmed, it seems like the issue could be related to the Nvidia driver update. Maybe not the latest Nvidia update but the one before that. As I mentioned, we're investigating it and will share an update as soon as possible.

Adobe Dynamic Link is how After Effects and Media Encoder talk to each other. It sounds like something went wrong.

Have you tried to restart? That usually takes care it.

You can also try adding your Composition to the Media Encoder Queue from the Media Encoder side by opening Media Encoder and then choosing File > Add After Effects Composition....

Starting with Beta build, AE 23.0x11, H.264 is now available as an option in the Output Module Settings dialog allowing you to encode to H.264 directly from the AE Render Queue.

This integration utilizes the Adobe Media Encoder (AME) UI along with AME’s backend encoding system all without leaving After Effects. We have also included 3 H.264 presets to get you started.

If you need more control, you can customize the H.264 settings by clicking on a Format Options button in the Output Module Settings dialog. Not every option that is available in AME is exposed inside AE, and some settings such as resolution, frame rate, color management, are still set from AE’s Render Settings or Output Module Settings, but there should be enough to tweak for most users.

H.264 export also supports both Hardware and Software Encoding modes. The same accelerated export you have in AME and Premiere Pro is now available for H.264 export in AE.

If you need more control or specific settings, you can still use Adobe Media Encoder, via Dynamic Link or transcoding an existing video file.

Selecting the H.264 Exporter and Related Settings

1. Add a composition to be exported to the Render Queue

2. Click on the Blue Text (High Quality in the example image) in the Output Module section. This will bring up the Output Module Settings dialog where you can select H.264 from the Format drop-down.

3. Clicking on Format Options in the Video Output section will take you to the available H.264 Options dialog box:

4. Adjust the encoding performance, profile and level of encoding, bitrate and any other settings that are shown as desired.

5. The Audio and Multiplexer tabs are also available for configuring those settings:

6. Click OK when you are happy with the settings.

Settings Mismatch Warning

Sometimes there will be a mismatch between AEs render / output settings and what is supported by the H.264 format. In that case, clicking OK after editing the H.264 settings will result in a warning dialog:

The warning dialog contains the issue and what adjustment will take place. You can click OK to accept the changes or return to the H.264 Options dialog to make any changes.

A settings warning will also be visible in the Output Module Setting dialog when a mismatch in settings is configured. Click on the icon to get more information:

H.264 Output Module Presets

For those not familiar with configuring H.264 exports, we have also included 3 presets that you can pick from based on your desired target bit rate. These will automatically set the Profile and Level based on the output resolution of the composition. Depending upon your resolution or render quality required, choose the appropriate bit rate preset from 5, 15 or 40 Mbps.

Finally, if you install a fresh copy of AE or clear your output module preferences, the H.264 – Match Render Settings – 15 Mbps preset will be configured as the Movie Default Output Module Template. The next time you add a composition to the render queue, it will be configured for H.264 output automatically. You can adjust the defaults in the Output Module Templates editor (Edit Menu -> Templates -> Output Module…):

Please try it out and let us know how it works for you. Feedback on the preset settings and names is also welcome.